Events

A unique figure on the London scene, Raisa K crafts avant-garde pop that is both intimate and vibrant, interwoven with the sounds of the city and carried by a magnetic voice. A former member of Micachu and the Shapes and long-time collaborator of Mica Levi – now alongside her in Good Sad Happy Bad – she has developed a direct and sensitive style of songwriting, exploring themes of intimacy, vulnerability and emotional complexity. Her debut album *Affectionately*, released last year on 15 love, asserts an identity that is both delicate and daring.

On stage, she is accompanied by Coby Sey (bass, vocals) and Pike (drums), continuing a musical dialogue already enriched by past collaborations.

In response, UgnÄ— Uma offers an opening performance in which the voice becomes a medium for transformation. Blending vocal improvisation with electronic textures, she crafts shifting soundscapes, inviting the audience to an ecstatic experience.

An evening conceived as a space for sensitive listening, where voices intertwine, transform and open up new forms of musical storytelling.

To mark his exhibition Who's Gonna Save The World?, Ladji Diaby has invited filmmaker Mati Diop to join him for a conversation about the forms of resistance that run through their work.
This talk offers an opportunity to reflect on the origins of the exhibition and the stories that inform their artistic practices.

As part of Diego Marcon’s exhibition *Prom*, Stéphanie Moisdon, art critic, curator and co-director of the Consortium in Dijon, and Philippe Azoury, film critic, screenwriter and author, discuss the portrayal of youth in Diego Marcon’s work.
Through his films and installations, Diego Marcon portrays children and teenagers in ambiguous situations, where innocence rubs shoulders with anxiety, and where formal gentleness contrasts with the violence of the narratives. What does this say about our contemporary imaginations and our relationship with childhood, fiction and memory?
By combining critical perspectives with cinematic references, this discussion broadens the reflection to include other artistic and filmic works, in order to examine more broadly the way in which art and cinema portray figures of youth today.

[size= 13px]Novembre Magazine is an independent publication that explores the boundaries between art, culture, writing and contemporary thought. Through its features, interviews and original content, it invites readers to discover unique voices and innovative perspectives, blending critical reflection with artistic experimentation.[/size]

To mark her special visit to France for the launch of her latest book, Lafayette Anticipations n is hosting Argentine author Camila Sosa Villada for a talk followed by a book signing.
This collection, woven from nine stories that make up Camila’s literary landscape, begins with the eponymous short story I Am an Idiot for Loving You. Queer, fierce and tender, these short stories, published by Métailié, demonstrate the depth of her imagination and the unique place she occupies in the field of Spanish-language literature.

A glance, a grimace, a tiny movement… the face speaks before words do. What if you learnt to harness the power of facial emotions?

During this workshop, create masks with distorted faces and exaggerated features, experimenting with different expressions.

Inspired by the work of artist and filmmaker Diego Marcon, this workshop invites you to observe how characters’ emotions on screen emerge and take shape.

No need to know how to draw – you just need to look at things differently!

In a delicate dialogue between painting and movement, the two artists create a four-handed composition in which the body, the material and the line interact. Through this exchange, After Grief explores the many dimensions of grief – personal, collective and global.


The artists move amidst semi-translucent veils of fabric, which serve both as a pictorial surface and a projection screen. Yahon Chang’s sweeping ink gestures meet Florence Peake’s somatic practice, in which the body acts as both a brush and a reservoir of memory. The drapery, resembling silk veils, accumulates traces – imprints, stains, breaths – and composes an image in constant transformation.
The performance is accompanied by a minimalist soundscape by Nicolas Becker, which highlights the silences between the gestures.

Conceived as a collective ritual, After Grief invites the audience to an experience of attentiveness and sharing. By making grief tangible, the work opens up the possibility of a form of healing, both individual and collective.

The paintings produced during the performance will then be exhibited in the Agora from 9 to 12 July, with free admission.


Credits:
Artists: Florence Peake and Yahon Chang
Soundscape: Nicolas Becker and Matthieu Gasnier
Curator: Francise Chang
Choreographic support: Eve Stainton
Producers: Caroline Smith and Eve Veglio-Huner
Production manager: Jim Tuck and Hung-Chun Hsieh

Compositrice et productrice australienne installée près de Melbourne, Carla Dal Forno navigue entre minimalisme post-punk, pop expérimentale et musique électronique atmosphérique.
Son quatrième album - Confession - paru en avril 2026, prolonge cette écriture à la fois intime et hypnotique, élargissant encore sa palette sonore. Sur scène, Carla dal Forno propose une performance discrètement puissante.
 
En première partie, la pop lyrique d'Orphée et son fidèle synthé-jouet promettent un hommage aux femmes et aux amours perdus.